Wrapping up our dressmaking tale of the adventures in recreating the Embassy Ballgown Audrey Hepburn wore in the 1964 film My Fair Lady, we have the final blog with the finished gown! 

From hours of research to hours of production, the finished gown was finally completed after numerous fittings and consultations.  The team spent over 400 hours creating this gorgeous piece.  A long, yet extremely enjoyable and rewarding process of creation for a magnificent gown.

Amidst all the creation came the complex coordination of fittings, consultations, and flights. The bride flew from Austin to Maui twice for fittings, staying multiple days each time.  Jennifer flew to Austin for a fitting, working on it at the home of the bride.  Jennifer needed to take it with her back to Maui to do the final work.  When the gown was complete, the bride flew to Maui one last time to pick up the dress.  Jennifer held an Open Studio for friends to view the gown, have pink champagne and meet the bride.  It was a glorious time with friends who appreciated the fine work and the story behind the gown.  The story was written up in the Maui News, too!

The final gown was exquisite and eloquent. Over 20,000 beads, crystals, and sequins were hand sewn onto the outer layer of silk gauze. Handmade silk flowers adorned the gown. The under dress was made out of a luxurious 4-ply silk crepe, with a buttery-soft silk charmeuse lining. The vintage trim that Patty Robison provided was the perfect decoration on the edge of the gauze hem.  

Jennifer is still looking for the original Embassy Ballgown and will fly anywhere in the world to see it. If you know where the original gown is, let us know! 

Continuing our dressmaking tale of recreating the Embassy Ballgown, we move on to the production process.  After spending roughly 50-70 hours on research and development on the gown recreation, Jennifer was ready to begin.  The dress was deemed to be in two layers.  One – a slim underdress to be made of 4-ply silk crepe, lined in silk charmeuse.  Two – an overlay to be made of diaphanous silk gauze with custom beading and embellishments.  Jennifer began draping up the layers according to the bride’s measurements. 

Jennifer hired colleague Patty Robison, a Master Bridal Tailor from Washington State, to consult on the beading and embellishments for the gauze overlay.  They met through the Association of Sewing and Design Professionals, of which they are both members.  They had many discussions via email and phone, trying to decipher the complex design from stills from the film and archival photos.  Patty created samples of the beadwork, including the beautiful beaded fringe on the edge of the collar and sleeves.  She recreated the small silk embellishments found on the skirt and helped in so many ways. After several weeks of communication, sample making, and mailing samples to Jennifer, Patty flew out to Maui for a week to assist with the sewing process.  

A paper pattern was created to determine the layout of the beading and embellishment.  All the work was original, meaning every bead and detail was sewn on by hand.  There was no existing beaded fabric for this project.  It had to be created from the ground up by applying the beads and embellishments on the silk gauze overlay.  The only piece that came ready-made was 5 yards of a vintage beaded embroidered trim that Patty had in her stock.  That piece was placed on the hem of the dress. 

Maui-based Cindy Wilson assisted Jennifer in creating this gown as well.  With over 20,000 beads, crystals, sequins and other embellishments needed for the gown, we needed some extra hands to help sew these on. Three friends, Melinda Neuwirth, Cheryl Tipton, and Kathy Baldwin, volunteered their time to hand sew beads onto the dress.  It was a labor of love with friends and colleagues who value beautiful design.

In our final blog in the series, we will see the finished gown.

Continuing our dressmaking tale of recreating the Embassy Ballgown, we have the elaborate process of researching and discovering many mysteries along the way. After discussing with the bride about this exciting wedding gown assignment, Jennifer immediately set off to find all the information she could gather on this iconic gown. Many hours were spent on research and development for this gown. 

Jennifer had high hopes of finding the actual gown from the 1964 film for inspiration in her recreation. However, tracking down the actual location of this gown turned out to be quite the scavenger hunt. Jennifer tried to locate the gown through her connections in Hollywood from her time working on various films and tv series as a costume shop supervisor. But much to her surprise, no one knew where this dress could possibly be. Warner Brothers did not have it in their costume vault. It was not in any museum. The head of the UCLA Costume Department said the gown had most likely been auctioned off, and was in the hands of a private collector. On the internet, the rumors said that this gown was actually borrowed from a person in the UK and was then returned back to the original owner after the making of the film. To this day we still have yet to find out where the original Embassy Ballgown is located. If you know where it could be, let us know. The mystery is yet to be solved!

Another exciting discovery Jennifer found while researching this dress came from Cecil Beaton, the Costume Designer of My Fair Lady.  He wrote a diary of his experience working on the film.  Jennifer found this entry about the Embassy Ballgown:

Wednesday, 19 June (1962)

“This afternoon, however, Eliza’s ball dress was pinned, in rough form, on a stand for the first time. This is a dress that everyone will see. Agnes has the responsibility of creating this gossamer shift. She started to cut the sequin, crystal and chenille embroidery from a genuine 1910 evening gown which will be an invaluable guide for our embroideries. Absorbed in such fascinating detail, I didn’t realize the day was long since over, yet none of the women seemed in a hurry to get back to their homes.” 

So, it appeared that the gown was modeled after a 1910 evening gown that a dressmaker named “Agnes” cut apart to use a guide.  It seems that the gown Audrey Hepburn wore must have been an original gown made in-house at the costume studio.  Jennifer longed to find out who Agnes was, but never figured that out.  If anyone knows about Agnes, we’d love to hear!

After accepting the fact that the gown could not be seen in person, Jennifer set off to find some high resolution photos of the dress in order to really see all of the intricate details. Jennifer ended up spending hours studying photos from Warner Brothers, still shots from the film, and through watching the film over and over again. After gathering as many details as she could from these resources, she came up with a design for this gown. Having the initial vision of the dress was thrilling! She knew this was going to be a very memorable experience in dressmaking and design.

Researching and creating the first design and sketch of the gown was the exciting beginning of a long dressmaking process. We will pause the dressmaking tale here for now, and continue back in part 3 on the process of creating the gown and the many adventures as a part of the creative process. See below for some photos of the research process… 

Kendall Jenner’s dress at the Met Gala has us reminiscing on the time we recreated Audrey Hepburn’s iconic Embassy Ballgown from the 1964 film My Fair Lady. This is one of our more adventurous, exciting, mysterious, and elaborate dressmaking stories that we just have to share with you! Due to the length of the process of this recreation, we are devoting a short blog series in order to share all of the juicy details from this dressmaking tale.

A few years ago, Bride Lorri from Austin, Texas, reached out to us about recreating Audrey Hepburn’s Embassy Ballgown from My Fair Lady for her wedding on the Amalfi Coast in Italy.  It had been her dream as a girl to have this dress for her wedding gown.  Her fiance Michael searched online to find the best dressmaker for the job, and came across our website.  We were blown away that they reached out to us, all the way on Maui!  But it was the perfect match. Jennifer had spent years working in professional costume shops in theatre and Hollywood before coming to Maui, so she had the connections to find out as much as possible about the gown.  And of course, she is a master dressmaker.  Sometimes when a person wishes to recreate a piece they’ve seen in a film before, the finished product might appear “costumey”.  But with Jennifer’s extensive background, she was able to make the dress into a true couture gown worthy of a beautiful wedding in Italy.

After discussing with the bride about the vision and details of this wedding gown recreation, Jennifer immediately dived into the long process of researching and investigating this famous beaded gown. And this next part of the story is where the mystery and searching began! But this is to be continued in part two of the series. For now, check out the photos below of Kendall Jenner’s Met Gala gown, Audrey Hepburn’s Embassy Ballgown, and the Bride Lorri’s wedding gown. 

Kendall Jenner at the Met Gala

Audrey Hepburn’s Embassy Ballgown in ‘My Fair Lady’

Dressmaker Jennifer Oberg with Bride Lorri

Lorri and Michael on their wedding day

Bride Lorri in her wedding gown